Slide One: What Is 'La Haine'
La Haine is French film directed by
Mathieu Kassovitz. It revolves around the lives of three teenagers who although
are ethnically different, come from the banlieues of Paris. This film takes
place after a set of riots that have left their friend in critical condition.
Although the main themes of this film are poverty and violence; it also takes a
look at the relationship the youth of Paris have with the police. As stated in
many articles it’s known that Kassovitz looks up to American Directors such as Martin
Scorsese and has been referred to as the French ‘Spike Lee’. However when
looking at ‘La Haine’ one must wonder whether American cinema has outweighed
French Cinema in it’s influence of the films message and structure.
Slide Two: American Influence
One of the most notable scenes in
‘La Haine’ is when the character ‘Vinz’ is looking into the mirror and begins
to imitate Robert De Niro’s character from the well known film ’Taxi Driver’
directed by American director Martin Scorsese. While watching the film it is
clear that Vinz’s ambition to kill a cop stems from what the audience believes
is his violent nature, however
Vinz’s lust for violence and lack of self control could be argued to be
Kassovitz’s reference to another Scorsese film ‘Mean Streets’ De Niro’s violent
nature and impulsiveness in that film strikes eerily similar to the character
of Vinz. The idea that Vinz’s character is a reference to two well known
American films shows just how influenced Kassovitz was by American cinema while
making La Haine.
Slide Three: French Influence
Although it is evident that there
is a bit of an American Influence in La Haine. It is clear to see that it is
more French influenced than anything else. La Haine is based on true events and
in a time of heightened racism; the director’s aim was to bring focus to issues
between young people who come from poor areas and the police. This is evident
in the scene where Hubert and Said where being beaten up by the police; this
idea that people who are meant to protect the youth are doing the exact
opposite.
Slide Four: French Influence (Cont'd)
The film was a
success in International cinema; gaining popularity in Europe and parts of
North America. Although it was fairly popular amongst the western audience; it
was still deemed to ‘French’ according to it’s American Audience. One way of
identifying this is through the fact that the title of the movie remained
written in French whereas a lot of other French films would have their titles
translated to English to appeal to that audience. Not only did ‘La Haine’ have
an impact in the cinema, it also added fuel to the fire of violence between the
police and the youth of Paris. As Oliver Poulter states in his review of ‘La
Haine’; Vincent Cassel (Vinz) mentioned that a mere 500 people turned
up to demonstrate in the streets when a youth was shot by a police officer but
over 2 million people watched La Haine.
Slide Five: French Influence (Cont'd)
One thing I
noticed while watching La Haine is that irony is predominant in the storyline,
How the three characters can go from being chased by the police to telling
jokes a few scenes later, is probably part of the humour. However one scene
that stood out to me was when the three main characters where stood in the
middle of a busy looking Paris. In a time where the French government wanted
it’s citizens to feel proud of being French, Kassovitz uses this one scene to
highlight how the people living in the poorer parts of such a beautiful city
feel alienated. This could be argued to be one of the reasons for the riots
that took place after the films release.
Slide Six: Conclusion
As it is clear
to see Kassovitz has had a lot of inspiration during the making of ‘La Haine’,
however it is also clear to see that the film is more French Influenced then
any other, from things such as the title of the film being in French to the
type of subtitles used when being translated. The film has key references to
American cinema however they do not deter the audience away from how French ‘La
Haine’ really is.
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